By Fiona Russell Powell. Published in The Face, October 1982.
Transcripts
Transcripts from articles and interviews.
by Anton Rush
The Art Of Noise by Ian Birch (Smash Hits, May 1984) What’s David Sylvian been doing since Japan broke up? Taking Polaroids, traveling, organizing an exhibition — oh and making a new record. “Art is my means of expression.” he tells Ian Birch.
This brilliant carreer by Steve Sutherland This interview with David Sylvian is taken from the Melody Maker and was first printed in the UK on 12th May 1984
by Karl Lippegaus. Er wohnt zusammen mit einer schönen Japanerin im obersten Stockwerk eines unauffälligen Reihenhauses. In diesem Stadtteil von London leben Menschen, die weder besonders arm noch besonders reich sind, und scheinbar doch was vom guten Leben verstehen. Als ich durch die kleinen Straßen gehe und nach dem Haus von David Sylvian suche, denke ich, hier mieten die letzten
Journeys Into The Interior Biba Kopf, New Musical Express, 11 August 1984
David Sylvian: Portrait of an artist by Ian Birch
by Dave Rimmer Having spent over five years behind a thick layer of make-up, David Sylvian has emerged from the cocoon of Pop Celebrity to make a butterfly foray into the avant-garde. His new work lies somewhere between wallpaper and revolution. But nobody seems quite sure.
Interview by Tim Goodyer. Fotography by Martin Goddard. (E&MM, Sept. 1986) As well as gaining artistic credibility since leaving Japan. David Sylvian has inspired musicians with his ability to fuse traditional ethnic and hi-tech elements into a moving and unique brand of music. A new single, ‘Taking the Veil’, is the prelude to a double album that explores both Sylvian’s songwriting
David Sylvian: Blonde On Blonde by Don Watson, New Musical Express, 23 August 1986
Interview by Laurie Lewis with David Sylvian as published in SOUNDS (UK), September 27 1986.As DAVID SYLVIAN settles into the quiet life of solo status, CHRIS ROBERTS appraises the significant stature of his post-Japan harmonics and post-mascara beauty. Gentleman in Polaroid by LAURIE LEWIS
Master Craftsman David Sylvian by Mark Prendergast Since the break-up of his group Japan in November 1982, David Sylvian has been slowly widening the base of his music to encompass both ethnic and avant-garde sounds. Mark Prendergast gathers the facts on the change of style.
Scared of Success: David Sylvian — The Man Who Would Be Invisible Simon Witter, i-D, November 1987
By Stephen Holden, 16 December 1987
Inexorably Sylvian by Nile Larsen (Details, April 1988)
David Sylvian: The Loner Emerges by Ted Drozdowski, Musician, May 1988
The last two years have been a period of transition for David Sylvian, but he’s now in a new collaboration with Holger Czukay and a new solo single and a major retrospective set of his post-Japan recordings scheduled for November release. PAUL LESTER reports on one of rock’s most enigmatic figures.
by Richard Cook
by Mark Prendergast Originally published in two parts; Record Collector April and May 1990.
Since DAVID SYLVIAN split Japan at their zenith nearly a decade ago his fans have been praying they’d got back together. And now they have, under the name of RAIN TREE CROW. STEVE SUTHERLAND meets Sylvian to discover the impetus behind the band’s re-emergence.
“DAVID SYLVIAN: WITH PURPOSE”A conversation with a former Japan member, solo artist and life enthusiast, this eloquent englishman speaks about Rain Tree Crow, his solo work, life and his role in it all.By Kathleen Galgano
Exorcising Ghosts (Rain Tree Crow) by Mark J. Prendergast (Lime Lizard, May 1991) From surrealist parrots to the japan reunion, Mark J. Prendergast gets ambient with David Sylvian who explains why it’s o.k. to shout insults at bricks.
Exorcising Ghosts, David Sylvian by Tim Goodyer The charismatic singer, composer and lyricist rejoins the former members of Japan for their first LP in ten years. Tim Goodyer talks technology, philosophy and improvisation with David Sylvian.
Rain Tree Crow" by Nigel Humberstone (SOUND ON SOUND, June '91)
Recent Comments