by Hannah Jones, published on WalesOnline and in The Western Mail
Blog
The Art Of Everything And Nothing by Justin Hampton (Stereotype, Feb. 2001)
Sylvian’s Fripperies by Steve Malins (Vox, July 1993) David Sylvian and Robert Fripp have combined forces to produce a new album, The First Time , but collaboration for the former Japan frontman and “aggressive perfectionist” hasn’t always run smoothly.
The Roar Of The Drone by Jon Kincaid (Stomp and Stammer, May 1999) David Sylvian returns.
Rain Tree Crow" by Nigel Humberstone (SOUND ON SOUND, June '91)
exclusive interview by Gerrit Hillebrand
by BBC's Evgenie Kanevskomu. Transcript by Tuomas
By Sergey Chernov
By Nick Coleman
The sweet sound of a good cause by STEVE McCLURE Historically, the Japanese geinokai (entertainment world) has been slow to catch on to the idea of the charity concert/release. But now Ryuichi Sakamoto, a la Bob Geldof and the Band Aid famine-relief project, has put together an impressive array of Japanese and overseas talents on a track called “Zero Landmine,”
Vittorio Pio (Il Mucchio) interview 2003 Vittorio Pio & davidsylvian.net
by Darren J.N. Middleton
by Nenad Georgievski
by Jason Cowley
published 03.11.05 on davidsylvian.com
Interview by Claudio Chianura with David Sylvian in Italian magazine InSound (Nr. 1) december 2005, about Nine Horses. 6 pages in Italian with many photographs of Nine Horses and David/Steve performing live in 2003.
By KEN KAWASHIMA
by Craig Peacock The following interview took place in October 1994 at the P-3 Gallery near Shinjuku, one of Tokyo’s many shopping and business centres. The gallery itself is located in the basement of a temple. This is not as spiritual as one would expect, as it’s surrounded by ugly office and residential buildings. The clatter of modern life in
Inexorably Sylvian by Nile Larsen (Details, April 1988)
SYLVIAN / FRIPP by Steve Holtje (Creem Magazine September ’93) “There is no one structure which is universally appropriate,” wrote Robert Fripp in the liner notes to his 1981 album, Let the Power Fall. That bit of wisdom goes a long way towards explaining the far-ranging careers of both Fripp and David Sylvian. Both are respected musicians whose reputations were
“The Day After” by John Diliberto (Jazziz Magazine May 1994) Crisis as a source of art has always been romanticized in the West. You’ve got to suffer if you want to sing the blues, cut off your ear if you want your art to bleed, and endure the pits of depression if you want to leave something behind when
by Dave Rimmer Having spent over five years behind a thick layer of make-up, David Sylvian has emerged from the cocoon of Pop Celebrity to make a butterfly foray into the avant-garde. His new work lies somewhere between wallpaper and revolution. But nobody seems quite sure.
by Josef Woodard
