Lucrecia Dalt – A Danger to Ourselves

New solo album by Lucrecia Dalt featuring David Sylvian.

— Limited edition LP with alternative cover design available only from RVNG
— 200 copies of the LTD LP signed by Lucrecia [SOLD OUT]
— Vinyl editions include a printed inner sleeve with lyrics in English and Spanish

Lucrecia Dalt’s A Danger to Ourselves is a fearless reflection on the unfiltered complexities of human connection. Stripping away fictional narratives present on the artist’s last several album endeavors, A Danger to Ourselves arrives from a place of emotional sincerity. Sonically unraveling like a deeply personal conversation,Dalt’s voice is foregrounded and formidable, supported by a lush array of acoustic orchestration and processing, collaged percussive patterns, and an esteemed cast of collaborators.

Dalt, born in Pereira, Colombia, was raised in a family of music enthusiasts who encouraged her to pick up a guitar when she was nine. Dalt followed this creative impulse, becoming fascinated with computer-based production and left a burgeoning career as a civil engineer, moving from Medellín to Barcelona and ultimately Berlin, where she developed her distinctive, adventurous sound. Her work has spun into increasingly accomplished terrains with Anticlines (2018) and No era sólida (2020), and notably, ¡Ay!, Dalt’s 2022 breakthrough sci-fi bolero album. Along the way, Dalt expanded her practice into original scoring for television, HBO’s The Baby (2022) series, and films like On Becoming a Guinea Fowl (2024) and the forthcoming psychological horror Rabbit Trap (2025), while creating sound installations and performances that showcase her luminous modulations and distinctive, evolving vocal approach.

A Danger to Ourselves emerged from fragmentary declarations Dalt scribbled while navigating life on tour for ¡Ay!, and the formative moments of a new relationship. She began crystallizing these intimate fragments into musical compositions in January 2024, giving gradual form to a purposeful constellation of songs. The album’s sonic architecture builds upon dynamic drum loops provided by collaborator Alex Lázaro, whose percussive backbone, as on ¡Ay!, became a canvas for Dalt’s layered vocals. Rather than following conventional melodic structures, the album generates musicality through the interplay of bass lines, rhythms, and compositional design. A Danger to Ourselves reveals Dalt’s uncompromising quest for sonic clarity where bold production choices and meticulous recording techniques encourage both voice and instrument to harmonize with newfound depth and radiance.

A Danger to Ourselves is a poetic instinct by which Dalt ushers in an unobstructed focus on the music itself, using vocals that vibrate past the songs’ parameters, and observing the beaded echoes of primal, romantic thrill. “In the past, I often turned to movies and texts as mirrors to shape my stories, guiding me away from revealing too much from within, inventing isolated fictions,” notes Dalt. “This time, I wanted to create music that flows cinematically and sets a landscape to tell a love story that flirts with improbability, the miraculous and the mysterious.”

Dalt’s lucid attention to detail is palpable in every measure of A Danger to Ourselves, a dedication that spins in concentric circles, forming a field that unifies the personal and ethereal. Drawn from intuitive experiments, the album uses simple gestures and intricate compositions to weave wandering lines, as in “divina,” which moves between Spanish and English through elastic soundscapes and mesmerizing audial collage. Poetically speaking, Lucrecia states the album emerges from “spending enough time in the abyssal realm of erotic delirium. For me, the lyrics function as declarations, or odes—like those of Sharon Olds—and the most personal truths I have explored to date are found within those lines.”

The album title emerged from David Sylvian’s lyrics in “cosa rara,” an emblematic reflection of the fragility of life, the oscillations of love, and propulsive longings for the miraculous. A Danger to Ourselves mirrors these transcendent states, refracting the complexity of human entanglements and the desire for liberation from dopamine spirals and common pathways towards a more revelatory inner world. A collaborative collage with contributions from numerous acclaimed artists, Sylvian himself played a dual role as co-producer and musician on A Danger to Ourselves. Additional collaborations feature prominently throughout the record, with Juana Molina co-writing and performing on “the common reader,” Camille Mandoki adding vocals to “caes,” Cyrus Campbell’s foundational electric and upright bass work, and Eliana Joy providing backing vocals and string arrangements on multiple tracks.

In the luminous depths of A Danger to Ourselves, Dalt orchestrates a profound metamorphosis where the personal becomes universal through sonic alchemy. This record stands as both culmination and departure—a portal where her previous experimental journeys converge into something startlingly intimate yet expansive. The album is a web of emotional revelations, each composition a precise indicator of vulnerability where Dalt’s voice embodies revelation across new harmonic territories. Dalt has created a living document of intuition beyond conventional boundaries, offering passage into realms where music becomes both mirror and window.

Lucrecia Dalt’s A Danger to Ourselves arrives Friday, September 5, 2025 on RVNG Intl. in vinyl, CD, and digital editions.

Tracklist

1. cosa rara (ft. david sylvian) 03:48
2. amorcito caradura
3. no death no danger
4. caes (ft. camille mandoki) 03:49
5. agüita con sal
6. hasta el final
7. divina 04:13
8. acéphale
9. mala sangre
10. the common reader (ft. juana molina)
11. stelliformia
12. el exceso según cs
13. covenstead blues
14. “caes (ft. Camille Mandoki) (Nick León Dub)” 03:13

Concept by Lucrecia Dalt
Music by Lucrecia Dalt and Alex Lazaro
Produced by Lucrecia Dalt and David Sylvian
Mixed by David Sylvian
Mastered by Heba Kadry, NYC
Lacquers cut by Josh Bonati *Vinyl only credit
Cover photo by Yuka Fujii
Art direction by David Sylvian
Photo retouching by Louie Perea
Design by Will Work For Good

Lyrics and vocals by Lucrecia Dalt except “cosa rara” by Lucrecia Dalt and David Sylvian; and “the common reader” by Lucrecia Dalt and Juana Molina
Vocals on “the common reader” by Lucrecia Dalt and Juana Molina
Vocals on “caes” by Lucrecia Dalt and Camille Mandoki
Backing vocals on “amorcito caradura”, “no death no danger” and “covenstead blues” by Eliana Joy
Backing vocals and howls on “divina” by Alex Lazaro

All instruments performed by Lucrecia Dalt except:
Percussion by Alex Lazaro
Feedback guitar on “cosa rara” by David Sylvian
Electric guitar solo on “covenstead blues” by David Sylvian
Electric guitar on “stelliformia” by Alex Lazaro
Electric bass and contrabass by Cyrus Campbell except
Electric bass on “mala sangre” by William Fuller
Soprano and tenor saxophone by Chris Jonas
Violin by Carla Kountoupes and Karina Wilson
Cello by Amanda Laborete
Palms and finger snaps by David Sylvian and Alex Lazaro

All instruments and vocals recorded by Lucrecia Dalt except strings recorded by Marc Whitmore and vocals by David Sylvian, Camille Mandoki and Juana Molina by the artists themselves.
String arrangements in “hasta el final” by Lucrecia Dalt and Eliana Joy

SPECIAL THANKS:
david sylvian, alex lazaro, camille mandoki, yuka fujii, matt werth, eliana joy, cyrus campbell, laurencio pérez, marta luz lópez, catalina pérez, cristóbal castilla, chiara giovando, lucia maher-tatar, mike bachers, mabe fratti, matias aguayo, juana molina, moomba.

All music published by RVNG Intl. except “cosa rara” published by RVNG Intl. and Wise Music, and “the common reader” by RVNG Intl. and SADAIC.